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Sustaining Global Connections in Feminist Theatre and <\/b>Performance Historiography<\/b><\/p>\n
This two-day event will<\/span> bring together theatre and performance artists and scholars from around the world for two interrelated events: 1) a virtual roundtable on the topic of \u201cWorlding Feminist Performance Historiography (open to the public) and 2) a virtual authors\u2019 workshop to exchange writing and share research methodologies, theoretical framings, and future research agendas in feminist theatre and performance historiography. All works<\/span>hop participants are contributing authors to the forthcoming edited collection, <\/span>Women\u2019s Innovations in Theatre, Dance, and Performance, Volume 1: Performers<\/i><\/a> (Bloomsbury-Methuen Press, expected 2025). Unlike many edited collections, where contributors remain anonymous to each other until the moment of publication, our goal as editors and project organizers of this authors\u2019 workshop is to develop and sustain relationships across editors and contributing authors beyond the life of the volume to advance a more critical (and equitable) global agenda for feminist theatre and performance historiography\u2014which largely continues to be structured around Euro-colonial and Global North paradigms of gender, culture, and aesthetics.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Sustaining Global Connections in Feminist Theatre and Performance Historiography This two-day event will bring together theatre and performance artists and scholars from around the world for two interrelated events: 1) a virtual roundtable on the topic of \u201cWorlding Feminist Performance Historiography (open to the public) and 2) a virtual authors\u2019 workshop to exchange writing and … <\/p>\n