{"id":748,"date":"2024-11-14T20:31:07","date_gmt":"2024-11-15T01:31:07","guid":{"rendered":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/?page_id=748"},"modified":"2024-11-19T13:03:57","modified_gmt":"2024-11-19T18:03:57","slug":"research-bibliography","status":"publish","type":"page","link":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/research-bibliography\/","title":{"rendered":"Research Bibliography"},"content":{"rendered":"

This is a working bibliography that has informed the Sustaining Global Relations project – but we acknowledge that this list is incomplete and evolving.<\/em><\/p>\n

– – –<\/h2>\n

Arons, Wendy. <\/span>Performance and Femininity in Eighteenth-Century German Woman\u2019s Writing: The <\/span><\/i> Impossible Act<\/span><\/i>. New York: Palgrave Macmillan, 2006.<\/span><\/p>\n

Blanco-Borelli, Melissa. <\/span>She is Cuba: A Genealogy of the Mulata Body<\/span><\/i>, New York: Oxford University <\/span> Press, 2016.<\/span><\/p>\n

Brody, Jennifer Devere. <\/span>Impossible Purities: Blackness, Femininity, and Victorian Culture<\/span><\/i>. Durham: <\/span> Duke University Press, 1998.<\/span><\/p>\n

Brooks, Daphne. <\/span>Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910<\/span><\/i>. <\/span> Durham: Duke University Press, 2006.<\/span><\/p>\n

Brown, Jayna. <\/span>Babylon Girls: Black Women and the Shaping of the Modern<\/span><\/i>. Durham: Duke University <\/span> Press, 2008.<\/span><\/p>\n

Burton, Antoinette and Tony Ballantyne. <\/span>World Histories from Below: Disruption and Dissent, 1750 to <\/span><\/i> the Present<\/span><\/i>, 2nd<\/span> Edition. London: Bloomsbury Press, 2022.<\/span><\/p>\n

Croft, Clare. <\/span>Dancers as Diplomats: American Choreography in Cultural Exchange<\/span><\/i>. New York: Oxford <\/span> University Press, 2015.<\/span><\/p>\n

Davis, Tracy. <\/span>Actresses as Working Women: Their Social Identity in Victorian Culture<\/span><\/i>. New York: <\/span> Routledge, 1991.<\/span><\/p>\n

— and Peter Marx, eds. <\/span>The Routledge Companion to<\/span><\/i> Theatre and Performance Historiography. <\/span><\/i>New <\/span> York: Routledge, 2021.<\/span><\/p>\n

Dee Das, Joanna. <\/span>Katherine Dunham: Dance and the African Diaspora<\/span><\/i>. New York, Oxford University <\/span> Press, <\/span> 2017.<\/span><\/p>\n

Dudden, Faye E. <\/span>Women in the American Theatre: Actresses and Audiences, 1790-1870<\/span><\/i>. New Haven: <\/span> Yale University Press, 1997.<\/span><\/p>\n

Engel, Laura. <\/span>Fashioning Celebrity: 18 Eighteenth-Century British Actresses and Strategies for Image <\/span><\/i> Making. <\/span><\/i>Columbus: Ohio State University Press, 2011.<\/span><\/p>\n

Farfan, Penny. <\/span>Women, Modernism, and Performance<\/span><\/i>. New York: Cambridge University Press, 2004.<\/span><\/p>\n

Fischer-Lichte, Erika, Ma\u0142gorzata Sugiera, Torsten Jost, Holger Hartung, and Omid Soltani, eds. <\/span>Entangled Performance Histories: New Approaches to Theater Historiography<\/span><\/i>. New York: <\/span> Routledge, 2023.<\/span><\/p>\n

Foster, Susan Leigh, ed. <\/span>Choreographing History<\/span><\/i>. Bloomington: University of Indiana Bloomington <\/span> Press, 1995. <\/span><\/p>\n

Glenn, Susan. <\/span>Female Spectacle: The Theatrical Roots of Modern Feminism<\/span><\/i>. Cambridge: Harvard <\/span> University Press, 2002.<\/span><\/p>\n

Gonzalez, Vernadette Vicu\u00f1a: <\/span>Empire\u2019s Mistress: Starring Isabel Rosario Cooper<\/span><\/i>. Durham: Duke <\/span> University Press, 2021.<\/span><\/p>\n

Hamera, Judith. <\/span>Dancing Communities: Performance, Difference and Connection in the Global City<\/span><\/i>. <\/span> New York: Palgrave MacMillan,<\/span> 2007.<\/span><\/p>\n

Huyssen, Andreas. \u201cMass Culture as Woman: Modernism\u2019s Other.\u201d <\/span>After the Great Divide: Modernism, <\/span><\/i> Mass Culture, Postmodernism. <\/span><\/i>Bloomington: Indiana University Press, 1987. 44-62.<\/span><\/p>\n

Imada, Adria I. <\/span>Aloha America: Hula Circuits through the U.S. Empire<\/span><\/i>. Durham: Duke University Press, <\/span> 2012.<\/span><\/p>\n

Kaplan, Caren, Norma Alarc\u00f3n, Minoo Moallem, eds. <\/span>Between Woman and Nation: Nationalisms, <\/span><\/i> Transnational <\/span><\/i> Feminisms, and the State<\/span><\/i>. Durham, Duke University Press, <\/span> 1999.<\/span><\/p>\n

Khubchandani, Kareem. <\/span>Ishtyle: Accenting Gay Indian Nightlife<\/span><\/i>. Ann Arbor: University of Michigan <\/span> Press, 2020.<\/span><\/p>\n

Maddock Dillon, Elizabeth. <\/span>New World Drama: The Performative Commons in the Atlantic World<\/span><\/i>,<\/span> 1649-1849. Durham: Duke University Press, 2014.<\/span><\/p>\n

Manning, Susan. <\/span>Ecstasy and the Demon: The Dances of Mary Wigman<\/span><\/i>. Minneapolis: University of <\/span> Minnesota Press, 2006.<\/span><\/p>\n

Mara, Kim. <\/span>Strange Duets: Actresses and Empresarios in the American Theater, 1865-1913<\/span><\/i>. Iowa <\/span> City, University of Iowa Press, 2006. <\/span><\/p>\n

Marshall, Gail. <\/span>Actresses on the Victorian Stage: Feminine Performance and the Galatea Myth<\/span><\/i>. <\/span> New <\/span> York: Cambridge University Press, 1998.<\/span><\/p>\n

McMillan, Uri. <\/span>Embodied Avatars: Genealogies of Black Feminist Art and Performance<\/span><\/i>. New <\/span>York University Press, 2015.<\/span><\/p>\n

Merill, Lisa. <\/span>When Romeo Was a Woman: Charlotte Cushman and Her Circle of Female <\/span><\/i>Spectators. <\/span><\/i>Ann Arbor: University of Michigan Press, 2000.<\/span><\/p>\n

Modleski, Tanya. \u201cFemininity as Mas(s)querade: A Feminist Approach to Mass Culture.\u201d <\/span>Popular <\/span><\/i> Culture: A Reader<\/span><\/i>. Ed. Raiford Guins and Omayra Zaragoza Cruz. Thousand Oaks CA: Sage, <\/span> 2005. 47-54.<\/span><\/p>\n

Mohanty, Chandra Talpade. <\/span>Feminism Without Borders: Decolonizing Theory, Practicing <\/span><\/i> Solidarity. <\/span><\/i>Durham, Duke University Press, 2003.<\/span><\/p>\n

Mullenix, Elisabeth Reitz. <\/span>Wearing the Breeches: Gender on the Antebellum Stage<\/span><\/i>. New York: <\/span>St. Martin\u2019s Press, 2000.<\/span><\/p>\n

Nussbaum, Felicity. <\/span>Rival Queens: Actresses, Performance, and the Eighteenth-Century British <\/span><\/i> Theatre. <\/span><\/i>Philadelphia: University of Pennsylvania Press, 2013.<\/span><\/p>\n

Parre\u00f1as Shimizu, Celine. <\/span>The Hypersexuality of Race: Performing Asian\/American Women on Screen <\/span><\/i> and Scene<\/span><\/i>. Durham: Duke University Press,2007.<\/span><\/p>\n

Pe\u00f1a-Ovalle, <\/span>Priscilla<\/span>. Dance and the Hollywood Latina: Race, Sex, and Stardom<\/span><\/i>. Rutgers NJ: Rutgers <\/span> University Press, 2010.<\/span><\/p>\n

Perry, Gil, with Joseph Roach and Shearer West. <\/span>The First Actresses: From Nell Gwynn to Sarah <\/span><\/i> Siddons<\/span><\/i>. Ann Arbor: University of Michigan Press, 2011.<\/span><\/p>\n

Phelan, Peggy. <\/span>Unmarked: The Politics of Performance<\/span><\/i>. New York: Routledge, 1996.<\/span><\/p>\n

Preston, Carrie J. <\/span>Modernism’s Mythic Pose: Gender, Genre, Solo Performance<\/span><\/i>. New York: <\/span>Oxford University Press, 2011.<\/span><\/p>\n

Pullen, Kirsten. <\/span>Actresses and Whores: On Stage and in Society<\/span><\/i>. New York: Cambridge University <\/span> Press, <\/span> 2005.<\/span><\/p>\n

Scott, Wallach Joan. <\/span>Gender and the Politics of History<\/span><\/i>, 30<\/span>th<\/span> Anniversary Edition. New York: <\/span> Columbia University Press, 2018.<\/span><\/p>\n

Schneider, Rebecca. <\/span>The Explicit Body in Performance<\/span><\/i>. New York, Routledge, 1997.<\/span><\/p>\n

Schweitzer, Marlis. <\/span>Bloody Tyrants and Little Pickles: Stage Roles of<\/span><\/i> Anglo-American<\/span><\/i> Girls in <\/span><\/i>the Nineteenth Century<\/span><\/i>. Iowa City: University of Iowa Press, 2020.<\/span><\/p>\n

— and Laura Levin, eds. <\/span>Performance Studies in Canada<\/span><\/i>. Montreal: McGill-Queen\u2019s University <\/span> Press, <\/span> 2017.<\/span><\/p>\n

Sewell, Jan and Clare Smout. <\/span>The Palgrave Handbook of the History of Women on Stage<\/span><\/i>. New York: <\/span> Palgrave MacMillan, 2019.<\/span><\/p>\n

Son, Elizabeth. <\/span>Embodied Reckonings: \u201cComfort Women,\u201d Performance, and Transpacific Redress<\/span><\/i>. <\/span> Ann Arbor: University of Michigan Press, 2018.<\/span><\/p>\n

Weinbaum, Alys Eve, Madeleine Dong, <\/span>The Modern Girl Around the World: Consumption, Modernity, <\/span><\/i> and Globalization.<\/span><\/i> Durham: Duke University Press, 2008.<\/span><\/p>\n

yamomo, meL\u00ea. <\/span>Sounding Modernities: Theatre and Music in the Asia Pacific, 1869-1946<\/span><\/i>. New <\/span> York: <\/span> Palgrave MacMillan, 2018. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

This is a working bibliography that has informed the Sustaining Global Relations project – but we acknowledge that this list is incomplete and evolving. – – – Arons, Wendy. Performance and Femininity in Eighteenth-Century German Woman\u2019s Writing: The Impossible Act. New York: Palgrave Macmillan, 2006. Blanco-Borelli, Melissa. She is Cuba: A Genealogy of the Mulata … <\/p>\n

Continue reading “Research Bibliography”<\/span><\/a><\/p>\n","protected":false},"author":35,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-748","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/pages\/748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/comments?post=748"}],"version-history":[{"count":3,"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/pages\/748\/revisions"}],"predecessor-version":[{"id":759,"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/pages\/748\/revisions\/759"}],"wp:attachment":[{"href":"https:\/\/conferences.wlu.ca\/sustainingglobalconnections\/wp-json\/wp\/v2\/media?parent=748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}